英國作家安吉拉·卡特在她的文學創(chuàng)作中致力于挑戰(zhàn)傳統(tǒng)的二元對立的兩性關系。本書選取卡特的三部作品《霍夫曼博士的邪惡欲望機器》（1972），《新夏娃的激情》（1979）和《馬戲團之夜》（1982），探討卡特怎樣通過在作品中對現實和男性/ 女性的主體性進行消解和重建，以體現其對父權制所定義的兩性關系進行質疑和重建的主張。
現為重慶師范大學外國語學院副教授，碩士生導師。上海外國語大學英美文學博士，英國萊斯特大學訪問學者，重慶市英美文學教學團隊成員。發(fā)表學術論文20余篇，包括在CSSCI等核心刊物上發(fā)表的論文7篇，主持省部級項目一項。
Abstract
Introduction
1.Angela Carter's Literary Creation
2.Literature Review
3.Theoretical Basis for the Research
4.Framework of the Book
Chapter One Subversion of Reality:The Metafictional Reality
1.Nebulous Time
2.Reality as Cyborgs
3.Reality Reconstructed by Feminine Narratives
Chapter Two Subversion of the Stereotyped Womanhood:From Virgin Whore to Winged Victory
1.The Passive, Static Female Images
2.From the Whore to the Angry Woman
3.The Bird Woman:A New Woman in the New Century
Chapter Three Subversion of Male Subjecthood:From the Desirer to the Lover Abstract
Introduction
1.Angela Carter's Literary Creation
2.Literature Review
3.Theoretical Basis for the Research
4.Framework of the Book
Chapter One Subversion of Reality:The Metafictional Reality
1.Nebulous Time
2.Reality as Cyborgs
3.Reality Reconstructed by Feminine Narratives
Chapter Two Subversion of the Stereotyped Womanhood:From Virgin Whore to Winged Victory
1.The Passive, Static Female Images
2.From the Whore to the Angry Woman
3.The Bird Woman:A New Woman in the New Century
Chapter Three Subversion of Male Subjecthood:From the Desirer to the Lover
1.The Male Subjeethood of Infernal Desire
2.From the Subject of Desire to the Desired Object
3.The Lover: Construction of the New Male Self
Conclusion
Bibliography
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