詞以境界為上……………………………………………………………………………………………………………………1
有造境，有寫境…………………………………………………………………………………………………………………4
有我之境和無我之境………………………………………………………………………………………………………...6
優(yōu)美與宏壯…………………………………………………………………………………………………………………………11
寫實與理想…………………………………………………………………………………………………………………………14
感情亦境界……………………………………………………………………………………………………………………….16
著一字而境界出…………………………………………………………………………………………………………………19
境有大小……………………………………………………………………………………………………………………………22
境界為探本之論…………………………………………………………………………………………………………………25
太白以氣象勝……………………………………………………………………………………………………………………27
溫庭筠詞不及馮延巳…………………………………………………………………………………………………………30
溫、韋、馮之詞品……………………………………………………………………………………………………………33
南唐中主詞………………………………………………………………………………………………………………………36
句秀、骨秀和神秀……………………………………………………………………………………………………………39
李煜始為士大夫之詞……………………………………………………………………………………………………….41
詞人不失赤子之心……………………………………………………………………………………………………………44
客觀詩人與主觀詩人…………………………………………………………………………………………………………46
后主之詞，以血書之…………………………………………………………………………………………………………48
馮延巳詞開北宋風氣…………………………………………………………………………………………………………50
馮延巳詞《醉花間》…………………………………………………………………………………………………….......52
歐詞有所本…………………………………………………………………………………………………………………………54
歐陽修學馮延巳…………………………………………………………………………………………………………………56
詠春草詞……………………………………………………………………………………………………………………………59
詩詞之灑落、悲壯………………………………………………………………………………………………………………63
詩人之憂生、憂世………………………………………………………………………………………………………………66
三種境界……………………………………………………………………………………………………………………………69
歐陽修豪放中有沉著…………………………………………………………………………………………………………73
秦觀淡語有味，淺語有致…………………………………………………………………………………………….......75
秦觀詞境凄婉……………………………………………………………………………………………………………………78
詩詞氣象相似………………………………………………………………………………………………………………………81
東坡氣象……………………………………………………………………………………………………………………………84
詞之雅鄭……………………………………………………………………………………………………………………………86
柳永輕薄子………………………………………………………………………………………………………………………89
周邦彥不失為第一流作者……………………………………………………………………………………………......91
詞忌用替代字（一）…………………………………………………………………………………………………………93
詞忌用替代字（二）…………………………………………………………………………………………………………97
周邦彥詞得荷之神理…………………………………………………………………………………………………………99
東坡、章楶詠楊花……………………………………………………………………………………………………………102
詠物詞………………………………………………………………………………………………………………………………105
寫景病在隔……………………………………………………………………………………………………………………109
隔與不隔……………………………………………………………………………………………………………………112
情、景之不隔………………………………………………………………………………………………………………116
姜夔詞不用力于意境………………………………………………………………………………………………………118
辛棄疾詞有性情、有境界……………………………………………………………………………………………....120
蘇詞曠，辛詞豪………………………………………………………………………………………………………………123
蘇、辛有雅量高致……………………………………………………………………………………………………………125
辛棄疾《賀新郎》語語有境界……………………………………………………………………………................128
狂狷與鄉(xiāng)愿………………………………………………………………………………………………………………………130
詞之品格…………………………………………………………………………………………………………………………132
吳文英詞…………………………………………………………………………………………………………………………134
張炎、吳文英詞………………………………………………………………………………………………………………136
文天祥詞風骨高………………………………………………………………………………………………………………138
納蘭容若塞上詞………………………………………………………………………………………………………………140
納蘭容若之自然………………………………………………………………………………………………………………144
五代詞之所以獨勝……………………………………………………………………………………………………………146
一切文體，始盛終衰…………………………………………………………………………………………………………148
詞有題而詞亡…………………………………………………………………………………………………………………….150
大家之作……………………………………………………………………………………………………………………………152
詩詞忌美詞投贈…………………………………………………………………………………………………………………154
白居易、吳偉業(yè)之隸事…………………………………………………………………………………………………......156
龔自珍涼薄無行…………………………………………………………………………………………………………………158
詩詞體制尊卑…………………………………………………………………………………………………………………….160
宇宙人生能入能出……………………………………………………………………………………………………………..162
輕視與重視外物…………………………………………………………………………………………………………………164
淫詞、鄙詞、游詞………………………………………………………………………………………………………………166
《天凈沙》得絕句妙境………………………………………………………………………………………………………168
創(chuàng)者易工，因者難巧…………………………………………………………………………………………………………..170
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